This is the most hilarious thing I’ve heard in some time (click on the pic for full effect). Wish I’d been there.
Saturday May 26th the VNN Vanguard Nazi/KKK group attempted to host a hate rally to try to take advantage of the brutal murder of a white couple for media and recruitment purposes.
Unfortunately for them the 100th ARA (Anti Racist Action) clown block came and handed them their asses by making them appear like the asses they were.
Alex Linder the founder of VNN and the lead organizer of the rally kicked off events by rushing the clowns in a fit of rage, and was promptly arrested by 4 Knoxville police officers who dropped him to the ground when he resisted and dragged him off past the red shiny shoes of the clowns.
“White Power!” the Nazi’s shouted, “White Flour?” the clowns yelled back running in circles throwing flour in the air and raising separate letters which spelt “White Flour”.
“White Power!” the Nazi’s angrily shouted once more, “White flowers?” the clowns cheers and threw white flowers in the air and danced about merrily.
Read the rest of the story here.
In Seminar 23, Sinthome, Lacan remarks that the equivoke and homonym are the central tools of the analyst. In short, the analyst is the person who routinely practices what is commonly referred to as the lowest form of humor. The idea is to break up the illusory unity of the analysand’s speech (what Bruce Fink refers to as “ego-discourse”, or that form of discourse that assumes mastery of its own intention or that meaning and intention are one and the same thing) so that desire might be set back in motion. Somehow I never quite envisioned this particular deployment of that principle.
Jodi Dean has recently written an interesting post on sarcasm, irony, and parody.
I was thinking about forms of defense, particularly self defense. Irony, sarcasm, and citationality first came to mind.These seem to be mechanisms to establish distance. Zizek mentions something like this, “I love you,” as they say in the movies, or something like that. I defend myself by diffusing my feeling, making it less mine than ours. Everyone feels this way or, it’s hardly surprising that one would feel this way. I can always add–oh, I was joking or that was meant sarcastically.
What about humor, parody, cynicism? Do these require a lack of commitment, a distance and amorphousness, a denial, refusal, or foreclosure of ownership? I’m thinking of the Daily Show, a blog, and Peruvian presidents. Are the utterances, performances, predicated on a refusal of an underlying belief or conviction? Or, are they premised on its constitutive absence? On a smooth ability to drift and flow, catching on nothing and open to anything? Are these about distance or perhaps more properly about defense? If the latter, perhaps it is defense of nothing or of nothingness, defense against an underlying lack or foreclosure?
I’m too worn out from editing (hey, maybe I can get Anthony to do the indexing later… he seemed to enjoy it with the journal issue he put together recently. Kudos to Anthony)… To resume my thought, I’m too worn out to build on Jodi’s fascinating observations (why can’t I deploy theory with respect to the day to day like that?), but I wonder how this example of parody might fit with the model she suggests in her post. It seems to me that Jodi’s remarks revolve around the perspective of the speaker and the way in which they strive to defend against some desire. For instance, I might use sarcasm or irony as a way of managing uncomfortable desires with respect to the person I’m talking to. These desires might be something as simple as the desire to be recognized and the worry that I won’t, to more profound desires pertaining to love and friendship. Sarcasm can then function as a sort of defense by allowing me to diffuse the powerful jouissance that threatens the integrity of my being in relation to the person I’m speaking with. In the clinic, descriptions of such jouissance often come up when the analysand is describing their relation to certain privileged Others in their interpersonal relations. They might talk about feeling overwhelmed by these feelings, as if their bodily integrity has somehow been pierced or invaded. Certain rhetorical maneuvers then set in to diffuse this tension and re-establish equilibrium or a safe distance. All of this, of course, can be deeply paradoxical as the jouissance can be experienced as pleasurable yet overwhelming, like an intense feeling of love that is too much to bear. I once heard an analysand worry over whether his face might “blow off” (an interesting choice of words) during certain moments with his lover. He took tremendous pleasure from these encounters, but also felt that he must flee them.
At any rate, the parody and humor at work in this demonstration seems to be about something different. Here the clowns do not seem to be defending themselves, so much as they seem to be distancing the neo-nazis from their own signifiers, causing them to slide this way and that through a series of equivocations and pseudo-homonyms. Not only does a recoding of the hate speech take place, but something like the analytic discourse institutes itself by virtue of the clowns not receiving the neo-nazi’s messages (thereby underlining Lacan’s aphorism that “all communication is miscommunication” in a rather pointed way). What are we to make of the way the message strategically fails to be received in this particular protest? Lacan argues that all messages have their ideal receiver or Other– the person to whom that message is addressed. By undermining the reception of the message, do the clowns also undermine the Other for whom the neo-nazis stage their message? Finally, what role does a third observer– neither clowns nor neo-nazis but those witnessing the event –play in this encounter, and how does the clown’s strategy transform the neo-nazis relationship to this third? At any rate, I’m tickled to see such inventiveness in a protest.