Alright, I can’t contain my childish glee at this news, but Tim Burton is filming Alice in Wonderland. This brings a few of my favorite things together: Tim Burton, Carroll’s Alice in Wonderland, Johnny Depp, Anne Hathaway (yeah, I know, I’m lame but she’s so Victorian… too bad she’s completely facile in interview), and Helena Bonham Carter. I am not sure why I like the cinema of Tim Burton so much. Between the years of 9 and 13 I lived in a small village outside of Boston, MA, named Sudbury. These were tremendously formative years for me. But over and above this there was something almost magical about Sudbury, primeval and pervaded by a sort of singular essence that I can only refer to as a “style of being” or a “sense”. Of all the directors I’ve ever watched, only Burton manages to capture this essence or what is “in the original 13 colonies more than themselves.” This is especially the case with the atmosphere of Sleepy Hollow. When discussing Kafka’s literature Zizek criticizes the thesis that Kafka writes about the fantasy underlying bureaucracy, instead claiming that Kafka captures the real of bureaucracy, it’s essence, what is it beyond any and all fantasy. This is what Burton somehow manages to do with the Northeast. In many respects, this place, Boston, has always remained my essence. I still remain haunted by its greening, its rocks, its moss, its ferns, its mist, its history, and stories of Colonial soldiers, jack-o-lanterns, different gourds, lobster, steamed clams, hills, pines, apple trees, concord grapes eaten fresh off the vine, boxer turtles, wild asparagus found like a surprising gift, salamanders, musket balls, Colonial uniforms and parades, split rail fences along which you would walk like an acrobat, stone fences piled haphazardly, strange green sea glass worn smooth and opaque by the action of Boston Bay evoking thoughts of old ale bottles from hundreds of years ago, Quincy Market with all its smells, its raw oysters on the half-shell freshly shucked, its vegetables and so many other things like frightening and pathos filled Halloweens that are not genuinely understood anywhere else outside the country, and meaningful Thanksgivings with their gnarled gourds, massive piles of snow covered with ice from Winter storms, Fall, brown haired girls with their sensitive, deep blue or brown eyes, accents, wild turkeys singing their song as they run through the underbrush where I fished in the creek for bass, catfish, and bluegill, and all the rest. Burton makes me ache for home, the chill air of my little house in Winter that was heated with only a wood burning stove upon which we would heat our socks as oil was too expensive, and the pleasures of fresh lobster right from the sea and corn on the cob. He fills me with with memories of moss covered granite rocks where I would have picnics with my sister and parents, eating cheese, French bread, sliced apples, and summer sausage.
June 24, 2009
June 25, 2009 at 4:24 am
You paint a beautiful picture of Boston as a wonderland… I wish I was there right now.
June 25, 2009 at 5:39 pm
i find that tim burton copycatted the czech animator jan svankmajer, whose work is still superior (at the age of 1970s) in terms of the way he uses clay as Augustine Rodin did, whose ”animated sculptures” powerfully suggest Deleuzian visceral mutations and permutations. And lacking the commercial drive of American movies, Svankmajer was also free to make philosophic animations – a genre largely ignored by KANTRIES like the United States.
But I am really writing to tell you dr. Sinthome that while doing your parody trolling P.R. for several years, I realized that the world could use a Lacanian who could explain, in popular and accessible language, a movie like ”Coraline”, which comes from Tim Burton’s crew. This movie is basically a representation of psychosis but where the Moebial connections between parallel realities also suggest a strongly psychoanalyic style of thinking. It is an extreme rarity on the current commercial animation scene because of its Lacanian pedigree.
June 25, 2009 at 5:42 pm
Not to mention that the introduction of 3D glasses brings an unexpected fourth-dimensional twist that will excite your appetite for the BEYOND, dr. Sinthome
June 27, 2009 at 3:43 pm
LS, thanks so much for pointing this out. i didn’t know Burton was working on that. I’m excited to see this when it comes out. The first long paper I had to write in high school was about Lewis Carroll, who I’d been into since childhood. As part of it I read some book called The Philosopher’s Alice, which I don’t remember at all but which is why I ended up a philosophy major in college. Really life changing stuff for me.
This isn’t really related but have you ever read Carroll’s dialog “What the Tortoise Said to Achilles”? I’d be curious to know what you make of it. I think it’s got interesting implications about drawing logical inference.